Posted: Jun 11, 2013
Category: Renman Music & Business
black veil brides getting started live performing managers
Bass player and manager Blasko discusses how he got his start as a musician, from underground hopeful to center stage bass player, and how he transitioned into becoming the manager of the Black Veil Brides.
View Full ArticlePosted: May 15, 2013
Category: Renman Music & Business
dale connone in2une music indie artists radio promotion
Dale Connone has got to be one of the most well-traveled radio promoters in the business today. If you can think of a record label, he's probably worked there. But, after putting in more than his due diligence, Dale decided to split off to do his own thing. He wanted to build a radio promotion department that record labels have and make it into an actual independently run company. So he did just that with in2une Music, which has brought him such success that he still pretty much does radio promo for all the labels (if you take a look at his clients). One of our members, I am Demure, called in to ask Dale about radio promotion for indie artists, and he gives his thoughts on how to find the right promoters and what to look for here!
View Full ArticlePosted: May 6, 2013
Category: Renman Music & Business
c3 presents charles attal music festivals show booking
To gain real traction as an artist in today's music industry, you need to get on the bill of some of the major music festivals like Coachella, Bonnaroo, Lollapalooza, SXSW, Warped Tour, Austin City Limits, and Electric Daisy Carnival. Getting on the bill takes some chops. It may take awhile as you build up your touring, but a key factor of getting on a festival is knowing when the promoters are doing their scheduling. Our Music Mentor Contest winner, Andrew Jones, called in to ask Charles Attal, Partner of C3 Presents, how he goes about scheduling the line-up for his festivals. Charles explains how C3 Presents approaches their scheduling and what kind of team is in place to handle determining the line-up!
View Full ArticlePosted: Apr 25, 2013
Category: Renman Music & Business
canvasback music jack hedges marketing plan promotion
So you've outlined your marketing plan like in step #1, and you know what areas of promotion you want to focus on. That work begins in this step with the music. If you don't get that right out of the gate, you are toast. No marketing plan can save a record, if no one wants to hear the music. Jack Hedges, Director of Marketing at Canvasback Music, goes over step-by-step what you need to do in this phase. Of course, you have the elements of physically making the record, but then there are other considerations to be made. Do you want to make mechanical reproductions like vinyl or CDs? Is it going to be a digital/streaming release? Is it smarter to go with an EP or a full album? Jack walks you through all these things and more in step #2 to Building your Marketing Plan for your Album Release!
View Full ArticlePosted: Apr 16, 2013
Category: Renman Music & Business
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Imagine Dragons blew up to become a huge band last year and that took plenty of time and seasoning. Their manager, Mac Reynolds, knew from the get go that the bread and butter for many artists is touring both monetarily and in terms of exposure. Building those touring chops though is a tough cookie for plenty of bands. First, you got to hone your skills, then hone your hometown, and work around from there. Mac talks about what Imagine Dragons did to hone their live performances along with how this paved the way for how they played shows live when they were huge and had all the eyeballs on them. Mac is a firm believer that you don't have to be in either LA or New York to be successful, and he illustrates how a band can use their hometown (Vegas being very unique in this instance) to an advantage. If you are just starting out playing live, watch this video for great strategy on how to round out your own live set!
View Full ArticlePosted: Apr 9, 2013
Category: Renman Music & Business
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Tom Windish heads up The Windish Agency as President, representing one of the most diverse and eclectic rosters in the music business. Operating on gut and killer instinct, Tom moves fast and snatches up his talent early. That can be both wonderful and intimidating all at the same time because The Windish Agency gets the chance to develop their touring plan and add value to the band before they take that leap to the next level. But, what is their strategy to develop and build that band on the live side? Sometimes, their acts haven't even played a live show yet! So, how do they get the band the necessary reps to build up and deliver a mind-blowing concert? Find out right here with Mr. Windish!
View Full ArticlePosted: Apr 2, 2013
Category: Renman Music & Business
entrepreneurship helping artists live performances stageit
Evan Lowenstein started out in the music business as an artist with his brother, and they produced a top 20 single in their hey day. However, Evan felt a calling to something bigger than just his career as an artist. He wanted to help other fellow artists knowing what the struggle can be to even succeed in this business. Therefore, he decided to dive in and create a company that could serve as a platform to benefit all artists. This was the genesis of StageIt, a virtual interactive platform on the web where artists could sell their live performances. In this clip, Evan explains how he started this project and what to expect when developing your own entrepreneurship!
View Full ArticlePosted: Mar 21, 2013
Category: Renman Music & Business
artist development red light management renman young the giant
Renman asks Drew Simmons, manager of Young the Giant, what his thoughts are regarding the artist development process. On a prior episode of Renman Live!, Steve welcomed Bruce Flohr onto the show from Red Light Management, and Bruce proposed the notion that it takes 10 years for an artist to truly develop and grow into their own skin. That’s on many levels: as a touring act, a recording act, and in terms of finding their True North to properly tell their own story to the world. Drew had the opportunity to work for Bruce at Red Light Management and offers his own thoughts on the artist development process!
View Full ArticlePosted: Mar 4, 2013
Category: Renman Music & Business
booking agents caa managers show booking
Everyone wants to know how to get in front of the eyes and ears of A&R, managers, agents, etc. Each of those individuals are foundational members of the team around the band, but getting any or all to join your team is always the big challenge for any artist. But, before you convince them to join your team, you got to get them in the room with you first! This is exactly what one of our RMB callers asked about: how to best draw the attention of booking agents at festivals like SXSW, or even just locally in the artist’s hometown. There is no one answer to that question, but Kyle offers his advice on how to best get in front of a booking agent!
View Full ArticlePosted: Feb 27, 2013
Category: Renman Music & Business
lady gaga managers support slots troy carter
Troy Carter blew Lady GaGa up into the biggest pop sensation in recent memory, but people tend to forget that she didn’t start out that way. Stardom was not automatic. She had to grind away just like everyone else, and she played more than her fair share of small gigs as a support slot for bigger acts. Through developing her career, Troy certainly has picked up pearls of wisdom that can help bridge a support slot on a tour into being a headliner eventually. Often to do that, the support slot needs to connect with the fans of the bands they open for. A RenmanMB member asked Troy what his thoughts were on how to best establish that connection in order to create new fans, and Troy obliges with his thoughts here!
View Full ArticlePosted: Feb 13, 2013
Category: Renman Music & Business
breaking bands grouplove managers
Grouplove calls into the broadcast to chat with Renman and Nicky Berger, their manager, about how their paths intertwined to create the foundation that is Grouplove. For each member of Grouplove, how that person came into the fold was uniquely different, yet their chemistry developed quite organically. In this Renman Live! Highlight, Renman talks with Hannah Hooper, Christian Zucconi, and Sean Gadd from Grouplove about their individual connections to the band and how that evolved to create a strong bond and camaraderie amongst the band. Nicky Berger also chimes in to elaborate on why that bond has become as strong as it is!
View Full ArticlePosted: Feb 5, 2013
Category: Renman Music & Business
hip hop culture john legend lady gaga managers troy carter
Troy Carter is a new breed of manager, who is taking the Music Industry by storm. He currently reps artists like Lady Gaga and John Legend and heads multiple companies, many on the tech front. Troy likes to keep ahead of the game, and if the game does not suit his interests, he invents a new technology or collaborates with individuals who can reinvent how the game is played. When asked about his mindset of breaking down the Status Quo, he attributes that facet of his personality to growing up immersed in the hip-hop culture. Listen to Troy tell it best as he encourages you to keep challenging the norm and disrupt the Status Quo!
View Full ArticlePosted: Jan 29, 2013
Category: Renman Music & Business
fun. managers touring touring plan venues
As a Manager, a lot of responsibility falls on you to help get your band out there. If you want your band to break, that band needs as much as exposure as possible. A lot of that exposure comes from touring. Putting together a proper touring plan for your band is key. But how do you strategize the tour for your band? What are the right venues and size capacity for your band to play in front of? If your band is unknown, how do you pair them with someone who already has good exposure? Dalton Sim, Manager of Fun., knows how to break a band, and in this segment, talks about how he put together a touring strategy for Fun. which ultimately helped to break the band!
View Full ArticlePosted: Jan 24, 2013
Category: Renman Music & Business
lady gaga producers publishing
Lady GaGa did not start out as the Pop Powerhouse Machine that she currently is. Before she was Lady GaGa, she was Stefani Germanotta. She started from the same humble beginnings as all artists do. She hustled and played her ass off live in New York on Bleecker Street and the Lower East Side where she caught the eyes of producers. After recording her songs with the backing of connected producers, she still could not break in to get a publishing deal. Jody Gerson, Co-President of Sony/ATV Music Publishing, tells the story of how GaGa came to her office and how this influenced her decision to sign her!
View Full ArticlePosted: Jan 16, 2013
Category: Renman Music & Business
RenmanMB begins “Breaking Bands” Week by welcoming Drew Simmons, the manager for Young the Giant, which has become a recent success making waves touring, on radio, and even having songs placed on TV shows and in commercials. But, how did they get to that point? First, they needed to get management on board who believed in them and their music. Drew recounts how he first noticed Young the Giant (at the time known as The Jakes) and what led to his decision to represent them. If you are a hot young band looking to get representation, Drew has some words of wisdom for you!
View Full ArticlePosted: Jan 9, 2013
Category: Renman Music & Business
madonna number 1 hit songs writers block
Back in the 1980s, Tom Kelly formed one half of a formidable songwriting tandem with Billy Steinberg. For several years running, they wrote #1 hit songs for artists like Cyndi Lauper, Whitney Houston, Heart, and Madonna. In this Renman Live segment, Tom recounts writing “Like a Virgin” and how he and Billy overcame a small case of writer’s block to pen one of the biggest (and at the time most taboo) pop songs of our time! Watch on to hear Tom tell the story behind “Like a Virgin.”
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