Posted: Sep 26, 2016
Category: Recording
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**Guest post written by Clay Mills, hit songwriter, producer, performer, and founder of SongTown.com.
Posted: Oct 12, 2015
Category: The Musician Business
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**Guest Post by Bret Alexander of The Badlees and Saturation Acres.
"I’ve been a vocational musician for almost 30 years...This is an incredibly difficult business to make any sort of sustainable living at for that long, so inevitably people ask me what advice I would have for anyone who wants to do the same. Opinions are certainly like assholes, but I’ll give you my take on that. Do with it what you will..."
View Full ArticlePosted: Aug 17, 2015
Category: The Musician Business
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**Guest post by Stephen Wrench, CEO of Musik and Film.
"I recently had the pleasure of pitching a very talented well produced artist to major labels...They never listened to it [the music] because their social media numbers were not good enough?"
View Full ArticlePosted: Feb 9, 2015
Category: Career Goals
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**Guest post from the DIY Musician Blog.
"Jerry Seinfeld is arguably one of the most successful comedians of our time...So how did he do it? The answer is actually much simpler than you may think and it’s a proven method to helping you effectively smash any goal you set for 2015."
View Full ArticlePosted: Jun 23, 2014
Category: Songwriting
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**Guest post written by Maryann Harman, founder of Music with Mar., Inc, as featured in the DIY Musician Blog.
"As with anything, you should know who you are working with. In the performance field, this is called knowing your audience...you wouldn’t sing a song that lasted more than 2 minutes to a young child. Now, I’m not saying that can’t be done. It would, however, involve a lot of props and movement. When it was over, their attention may have all been spent on that one song...Here are the basics about how children respond to music..."
View Full ArticlePosted: Sep 6, 2013
Category: Renman Music & Business
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A great song has the ability to mark a time in society and capture the spirit of a generation. It takes great musicians, writers, producers, and a team to break it in the market, but before all that happens, the pieces need to come together and someone needs to help put them together. Enter the A&R department. In this clip, Neil Jacobson, the Sr. VP of A&R at Interscope Records, talks about what he looks for in a song and why it's important that it can cross over into popular music.
View Full ArticlePosted: Jun 28, 2013
Category: The Musician Business
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**Guest Post by Bret Alexander of The Badlees and Saturation Acres.
Music doesn’t sell in the numbers it once did, but a bigger variety is being consumed. There is so much more to choose from. Everyone is splintering into thousands of little niches. So your best course of action as a creator is to nurture and take care of the core people who are really passionate about what you do...[And]...
You have to do everything yourself. And that means booking, teaching lessons, playing shitty gigs for cash, producing, making your own records, working in a music store, etc. etc. You can’t specialize anymore...
View Full ArticlePosted: May 21, 2013
Category: Songwriting
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**Guest Post by Bret Alexander of The Badlees and Saturation Acres.
"One of the biggest problems bands have is that most musicians think they can write when they can’t. A great song is oftentimes very easy to play. A lot of great players have an almost elitist attitude about simple songs. It’s a weird aura to have in the studio. I hate it. But I can tell you (cover band musicians take heed), it is a helluva lot harder to write John Fogarty’s “Down On The Corner” than it is to play it...
Bands could save themselves so much suffering if they would just admit that they need better songs than they can write. Maybe they need a new member. Or they need to focus on the work of one guy in the group instead of pushing for a lukewarm democratic process..."
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