Posted: Apr 20, 2015

Category: The Musician Business

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**Guest post written by Deuce Ellis, Buffalo-born and Brooklyn-raised rap renegade. Originally posted by Cyber PR.

"Here’s My Guest Blog After Attending the #YourMusic Seminar; maybe this whole thing is easier than you think…First things first, let’s demolish whatever train of thought you may have. Demolish it. Let’s destroy and rebuild..."

Posted: Nov 17, 2014

Category: Licensing

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**Guest post written by Jennifer Kes Remington, composer and filmmaker, as featured on Pyragraph.

"So in my quest to throw multiple things against the wall and hope that money comes out of it, I’ve been licensing a lot of my music to library companies...I asked a few other composer friends if they knew of any library companies offhand. On their initial recommendations, I started entering my music into a couple music libraries, and waited and watched as the royalties came in..."

Posted: Oct 13, 2014

Category: The Musician Business

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**Guest post written by Carlos Castillo of Schwilly Family Musicians - music marketing strategist, web designer, live performance recordist, international road-tripper, lap steel player, and Captain of the Schwilly Family.

“The first requirement for being successful in anything is to define what success means to you. That is one of the biggest challenges musicians face today. There is no standard to follow..."

Posted: Jul 7, 2014

Category: Live Performance

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**Guest post written by Wade Sutton of Rocket to the Stars.

"Saxophonist Dave Goldberg has been getting a lot of attention lately for an open letter he wrote to operators of venues that host live music. The letter was Goldberg's way of sounding off against venues not paying artists as much money as they feel they deserve. The text, while not hostile in nature, was extremely misguided and managed to ignite another round of firestorms by similarly misguided artists. It was missing a lot of important information concerning why the music scene is the way it is right now and really offered little in the way of how to improve it other than to say venues should simply pay bands more money..."

Posted: May 26, 2014

Category: Live Performance

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**Guest post written by Joshua Powell, singer-songwriter, DIY musician, and frontman for Joshua Powell and the Great Train Robbery, as featured in his blog Fearsome Folk.

"So we’re on this bill and the first act is a singer-songwriter who sang from a digital piano. Now, I have zero intentions of discrediting him or her, or of being condescending in any regard – this blog won’t serve as an outlet for snark for snark’s sake. But in my observations of this artist, I collected some notes that demonstrate well what I believe to be three ways to NOT conduct yourself as an artist who aims to be taken seriously..."

Posted: May 5, 2014

Category: Licensing

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**Guest post written by Mallory Zumbach, Sr. Director of Creative at Round Hill Music.

"You might be wondering what exactly a company like RHM looks for when they’re signing a songwriter, artist, or band with the goal of having significant synch success with them. First and foremost, of course, we want to work with tremendously talented people. The music has to make us sit up and take notice the first time we hear it—if it does, we know that people in the synch world will take note, too..."

Posted: Apr 21, 2014

Category: Live Performance

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**Guest post written by Joshua Powell, singer-songwriter, DIY musician, and frontman for Joshua Powell and the Great Train Robbery, as featured in his blog Fearsome Folk.

"I met with my old friend Sal at Panera one morning. He’s a young and aspiring musician and was willing to look past my greasy hair and elbow-holed flannel to ask for advice on getting his foot into the door of the independent music community....As I fumbled to explain to Sal what I believed makes our show (or any show) one of superior quality, I realized that I could distill most of the factors into four easily digestible elements...and I believe them to be..."

Posted: Mar 10, 2014

Category: Music Festivals

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**Guest post written by Salina Sias. Salina is a Brooklyn based singer-songwriter with a deeply personal folk-inflected vision and serves on the board of directors of Women In Music. This piece was originally posted on ThrowtheDiceandPlayNice.com.

"I just got back from the 26th annual Folk Alliance International (FAI) music conference in Kansas City, MO...They [music conferences] can be overwhelming, as I can attest after having just dragged my butt back to Brooklyn from Kansas City. So, the generous soul that I am, I thought I’d share my experiences and advice after my first trip ever to a “folk-music conference.”"

Posted: Mar 5, 2014

Category: Renman Music & Business

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Finding the right manager might be the most important decision an artist makes after they've picked their musical partners. But finding a great manager is not easy. In this lesson of Renman U, the Renman talks about why to hire a manager, what a manager does, what qualifications you should be looking for in a manager, what personality traits to look for, when to get a manager, how to connect with a manager, and about the artist manager relationship.

Posted: Mar 3, 2014

Category: Show Booking

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**Guest post written by Joy Ike, creator of Grassrootsy.com and Independent Musician, as featured on Grassrootsy.com.

THE QUESTION: I have a question that I hope someone here can help me with. After you’ve sent an email and you don’t hear back for a week or two, is it ok to resend the same email in the case that it got lost in the shuffle? I don’t want to come off as being pushy, but I want to make sure that they actually received the email.

THE ANSWER: Art, this is a really great question that I think a lot of people struggle with. It’s hard to know how to follow up on a email when you don’t know if it was ever read, if it reached the correct person, or if the receiver purposely didn’t get back to you. So we’ve got a few suggestions on what you can do...

Posted: Feb 24, 2014

Category: The Musician Business

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**Guest post written by David Priebe of Green Room Music Source, a full time agent/artist manager and also part time instructor of music business at the Institute of Production & Recording in Minneapolis.

"It official- it’s now impossible to make money in the music industry." There are scads and scads of articles and commentary that sound a lot like that statement. What you hear much less about are the people who completely disagree with that sentiment. I’m in that camp, and I’m going to tell you why...

Posted: Jan 13, 2014

Category: Marketing

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**Guest post written by Brandon Swift, musician and creator of Yovigo.com.

Music marketers and artists who have come after The Grateful Dead have been trying to emulate this marketing model since the group's success with it. The model casts a wide net of influence for any artist or group hoping to make a serious mark in the music industry. Here are some reasons giving away your music works so well and has the power to help those who are willing to make a considerable profit.

Posted: Jan 8, 2014

Category: Renman Music & Business

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In this Renman MB throwback clip, the Renman sits down with Jay Boberg, long time record business heavy hitter. Jay reminds us that truly good art can be good business if the art is the focus and not used solely for exploitation. Among other gems of knowledge, Jay leaves us with a great quote about today's business: "The music industry is a river, not a lake. It's moving."

Posted: Jan 6, 2014

Category: The Lefsetz Letter

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**Guest Post by Bob Lefsetz of The Lefsetz Letter.

Your ability to play exceeds social networking. Your chops are more important than your social skills. Frequently the best musicians are near mute, they speak through their music, which brings adoring fans to them. First learn how to play. Everything else comes next...

Posted: Dec 11, 2013

Category: Renman Music & Business

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This playlist is a group of videos arranged to get a manager's head in the right place for success. It starts off with the basics of what a manager does, from what to expect to what your actual role is. The playlist ends with a forward by Brandon Boyd, which perfectly describes the relationship of artist and manager, and gives insights on what it takes to succeed and work together over long periods of time.

Posted: Dec 3, 2013

Category: Renman Music & Business

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No matter what you do in life, it's helpful to have a mentor that can help show you the way. This is especially true in the music industry, but having a mentor in this biz is much easier said than done! In this clip, industry analyst Bob Lefsetz tells us that the music business is of renegades and if you have a mentor, you're lucky!

Posted: Dec 2, 2013

Category: Show Booking

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**Guest post written by Joy Ike, creator of Grassrootsy.com and Independent Musician, as featured on Grassrootsy.com.

"STEP 1: Perfect your performance. Play as many open stages as you can to network with others and solidify your stage presence. Become a familiar face and make sure you get to really know the people. Give this a 6-month time period." Click the title to read numbers 2-7, including an in-depth description of each crucial step...

Posted: Nov 27, 2013

Category: Renman Music & Business

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In this highlight clip, Nate Ruess, lead singer of grammy award winning band Fun., talks about his career and path in the music business. Nate has a fantastic story about coming up in the business and prior to superstardom with his band Fun., he had given up all hopes of commercial success. Nate leaves us with a handful of great quotes to remember and motivate everyone trying to make a career out of their music.

Posted: Nov 13, 2013

Category: Renman Music & Business

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Jack Conte is a musician, businessman, and creative entrepreneur. He's probably best known as one half of the band Pomplamoose, but what we didn't know was what an interesting perspective he has on today's music industry. In this clip, Jack talks about what it takes to be successful in today's music business and how the industry has changed from massive rock stars to everyday hustlers. It's the rise of the middle class musician!

Posted: Oct 28, 2013

Category: The Musician Business

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**Guest post written by Brian Penick, author of Musicians' Desk Reference and Touring Musician, as featured on Billboard.com.

1. Reality Check! (Setting Milestones + Goals) 2. Proper Merch Mentality 3. Take Care Of Yourself First - Initial Self-Servicing...

Posted: Oct 23, 2013

Category: Renman Music & Business

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Everyone that's somewhere in this music industry got there somehow. Getting your foot in the door in the music industry is a tough thing to do and no matter how you get your start, it's even more difficult to get to that next level. Take a few minutes and listen to program director of KROQ, Lisa Worden, talk about how she got coffee, held table reservations, and did what it took to move up in the biz.

Posted: Oct 9, 2013

Category: Renman Music & Business

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As an artist, it's hard to make creative decisions based on money. Sure, you need cash to make a living, but when it becomes your main decision maker, you can run into trouble down the road. In this clip, musician and founder of Artist Growth, Matt Urmy, talks about these challenges and how he's learned to deal with them. In addition, Matt reminds us how an artist in today's Music Industry needs momentum and traction on the business side to supplement the music.

Posted: Oct 2, 2013

Category: Renman Music & Business

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In the music industry, you're going to run into the word "no" more times than you will the word "yes" and if you're going to make a career in this biz, you can't take no for an answer! In this clip, record exec and A&R heavyweight Jason Flom talks about why this is important and gives great advice on NOT taking no for an answer. Jason's enjoyed a long career in the music business and most recently signed Lorde and handled the record-label business behind her new album "New Heroine".

Posted: Sep 23, 2013

Category: Sponsorship

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**Guest post written by Justin Stang of Science!, Seattle based acoustic guitar duo.

Tour sponsorship is one way that a band can generate funds for a tour in order to start off in a place of relative financial security. This is particularly important because the first few dates of a trip might be a few tanks of gas apart, and you never know if your Tuesday night show in San Francisco is going to pan out quite the way you had hoped. Bands commonly desire endorsement deals with music companies in exchange for gear; however, this idea is something completely different...

Posted: Aug 28, 2013

Category: Renman Music & Business

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Seth Hurwitz is a partner at I.M.P. Productions and a longtime veteran concert promoter. As part owner of the 9:30 Club in Washington DC, Seth has been involved in the independent promotion business for decades and his experiences in the business shaped a "realist" attitude toward the industry, to say the least. In this clip, Seth advises aspiring artists to simply: bring it. And for the aspiring business professionals, Seth says the key to success is to figure out what reality is, stick by it, and don't change your version of it because someone's trying to change your version of it. Wise words from an experienced veteran.