Posted: Jul 25, 2023

Category: Copyright

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**Guest post written by Tero Potila, a professional music composer and producer. His career combining knowledge and experience from music, TV, film, ad, and game industries gives him a unique perspective that he shares through posts on teropotila.com.

 

"If you are an artist or otherwise work in the music business, you've likely heard about copyright and licensing. But do you fully understand what these terms mean and how they impact your work? In this post, I'll guide you on how to navigate copyright and licensing in today's music industry."

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Posted: Mar 4, 2019

Category: Performance Rights Organizations

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**Guest post written by Scott Aumann, originally featured on The Legit Musician blog.

 

"I am always surprised at how many musicians I talk with that really have no idea what a Performance Rights Organization is, or what it does for artists. I’m not just talking about indie musicians either. Some well-known national acts are in the same boat and could learn some things from this post. Let me explain how you can become a pro by joining a P.R.O."

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Posted: May 7, 2018

Category: The Musician Business

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**Guest post written by Rachel M., originally featured on Push Power Promo's Blog.

 

"Do you want to make a good impression on your fans and for other people in the music industry?...If so, there are plenty of ways to make this happen...Below are a few ways to boost your brand and show people that you're the real deal."

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Posted: Sep 12, 2016

Category: Performance Rights Organizations

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**Guest post written by Brian Penick as featured on the SOUNDSTR Blog.

 

"There are a LOT of misconceptions about this part [performing rights] of the music industry. “What are performing rights fees? Aren’t performing rights just for cover bands? You have to be popular to make money from them, right? Where does this check in my mailbox come from and why am I receiving it?” These are all common questions from songwriters...We’re here to set the record straight, once and for all. What you might not know could be holding back your career and keeping you from collecting royalties you have earned."

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Posted: Aug 16, 2016

Category: Royalties

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**Guest post written by Katie Lott, Songwriting & Voice Coach, as featured in her blog Modern Songstress.

 

"So what the heck are royalties, and how do you get them? Royalties are fees that are paid to the composer (that’s you!) every time a song is played anywhere: radio, live venues, TV, satellite radio, internet radio, streaming services, etc."

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Posted: Jul 26, 2016

Category: Performance Rights Organizations

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**Guest post written by Brian Penick as featured on the SOUNDSTR Blog.

 

"What is the Consent Decree, and why are people talking (and so upset!) about it?...For songwriters, one of the least discussed (yet most important topics) is music licensing. But major changes to the consent decree – the federal agreement that governs how ASCAP and BMI operate – is bringing this topic to the surface. The truth is, these changes could be the biggest in the music industry in 75 years and greatly impact your career."

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Posted: Aug 4, 2015

Category: Publishing

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**Guest post from the DIY Musician Blog.

 

"One of the other topics of consistent confusion for our members is the differentiation between what a publishing administrator does and what a performing rights society does. Many members of ASCAP, BMI or SESAC that I’ve heard from think their performing rights society IS their publisher and that they are getting all of the income they’re entitled to directly from that P.R.O. (performing rights organization). In this article, I relay a couple of actual questions we’ve received on the topic and try to give some clear, concise answers."

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Posted: Oct 21, 2013

Category: Performance Rights Organizations

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**Guest post written by Dae Bogan, Music Industry Insider For The Indie Artist, of Dae Bogan Music.

 

"A lot of indie artists are confused about the difference between ASCAP, BMI, SESAC and SoundExchange. I’ll attempt to break down the most important differences between these groups and elaborate towards the end about other considerations and other royalty collection entities."

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